Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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unknow artist
Sexy body, female nudes, classical nudes 73

ID: 47053

unknow artist Sexy body, female nudes, classical nudes 73
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unknow artist Sexy body, female nudes, classical nudes 73


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unknow artist

  Related Paintings of unknow artist :. | malning i litslena kyrka | Allegory of Love and Wisdom, oil on canvas painting by Isidoro Bianchi di Campione | Still life floral, all kinds of reality flowers oil painting 342 | Blue skies | Self-portrait |
Related Artists:
GUERCINO
Italian Baroque Era Painter, 1591-1666 best known as Guercino or Il Guercino, was an Italian Baroque painter from the region of Emilia, and active in Rome and Bologna. Guercino is Italian for squinter, a nickname that was given to him because he was cross-eyed. He is especially noted for his many superb drawings. Guercino was born at Cento, a village between Bologna and Ferrara. By the age of 17 he was associated with Benedetto Gennari, a painter of the Bolognese School. By 1615 he moved to Bologna, where his work earned the praise of an elder Ludovico Carracci. He painted two large canvases, Elijah Fed by Ravens and Samson Seized by Philistines, in what appears to be a stark naturalist Caravaggesque style (although it is unlikely he had been able to see any of the Roman Caravaggios first-hand). They were painted for Cardinal Serra, Papal Legate to Ferrara. The Arcadian Shepherds (Et in Arcadia ego) was painted in 1618 contemporary with The Flaying of Marsyas by Apollo in Palazzo Pitti. His first style, he often claimed, was influenced by a canvas of Carracci in Cento. Some of his later pieces approach rather to the manner of his great contemporary Guido Reni, and are painted with more lightness and clearness. Guercino was esteemed very highly in his lifetime. He was then recommended by Marchese Enzo Bentivoglio to the Bolognese Ludovisi Pope, Pope Gregory XV. His two years (1621-23) spent in Rome were very productive. From this stay date his frescoes of Aurora at the casino of the Villa Ludovisi and the ceiling in San Crisogono (1622) of San Chrysogonus in Glory; his portrait of Pope Gregory (now in the Getty Museum, and, what is considered his masterpiece, The Burial of Saint Petronilla or St. Petronilla Altarpiece, for the Vatican (now in the Museo Capitolini). The Franciscan order of Reggio in 1655 paid him 300 ducats for the altarpiece of Saint Luke Displaying a Painting of the Madonna and Child (now in Nelson-Atkins Museum of Art, Kansas City). The Corsini also paid him 300 ducats for the Flagellation of Christ painted in 1657.
Francesco Maria Raineri
(February 2, 1676 - February 28, 1758) was an Italian painter of the late-Baroque, mainly active in Mantua. Also called Lo Schivenoglia after the town, just outside of the city of Mantua, of his birth. He was a pupil of Giovanni Canti. Among his works, he was known for his paintings of battle scenes, landscapes, and cappriccios (vedute of imaginary scenes) with historical or mythologic figures. He was named director of the Academy of painters in Mantua in 1752. He is known to have painted a St. Sebastian for the chapel of Santa Anna.
Michiel van Musscher
painted Self-portrait. in 1685






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